![]() ![]() My new control room is quite square, with dimensions of 4.4 x 4.3 m, with a height of 2.4m. In hindsight I really was asking for trouble. The majority of the time - and money! - was spent on addressing the low-end balance in the room, and that's what I'm mostly going to be covering here. I ended up working with acoustician Douglas Doherty from DACS Audio, and with his help I'm going to talk you through the process we went through to turn an initially quite problematic space into a very workable control room. ![]() The move coincided with me upgrading my console and monitors, but despite feeling I had a decent enough understanding of the essential principles of setting up a good listening room, when I began to work in my new space I quickly realised I had some issues that went beyond my know-how, and made the call that I needed some outside help. These were dramatic enough to involve me moving the control room into what was the old live room. In recent years I'd acquired some extra space in the warehouse where my studio is based, and needed to make some significant changes to the overall layout of the studio. There was some basic treatment in place, but more would be needed to address the low-end response.Ī DIY approach to control room acoustics can go a long way, but sometimes it pays to get the professionals involved.įor this feature, I'm going to stray into somewhat new territory for me and talk about studio control room acoustics. The control room at Half-Ton Studios, after moving into the larger space but prior to upgrading the desk and monitors. ![]()
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